HUGO The story: Orphan Hugo Cabret (Asa Butterfield) spends his time winding the clock in the train station, where he lives, and try to avoid Station Inspector (Sacha Baron Cohen). His passion lies in trying to solve an automaton his father left him.
Director Martin Scorsese's latest film is a lovingly polished ode to the magic of stories, Dickensian in its close attention to detail and characterization. Adapted from the beautiful graphic novel, the invention of Hugo Cabret by Brian Selznick, the same detailed on the scenes.This movie is in eye-popping 3-D except the hyper realistic black and white pencil sketches of the book.
The Director use of 3-D is memorably clever. Some stand-out, no pun intended, are vertiginous shot of swinging pendulums and tower stairwells as well as hilariously menacing close up of the Station Inspector face looming out on the screen.
The Station Inspector also has a dog companion, a scowling Doberman (Blackie). Hugo is a demonstration of Scorsese's mastery as a screen story telling.The story is triple threat 3-D, dog and kids- for less accomplished directors but
Scorsese Marshall's put all these elements to tell a gripping story of a neglected film legend.
While the story is ostensibly about Hugo, is also the uncle Georges (played Ben Kings-ley). The grumpy old man who runs a toy booth in the station is first seen as the antagonist - he catches Hugo in the act of theft and threatens to hand over him to the police and also to burn his beloved notebook, he cherished inheritance from his father.Uncle Georges, the guardian of Isabelle (Chloe Grace Moretz), which is only friend Hugo's, shows the legendary filmmaker Melies. What starts out as a sentimental boy's own adventure a of Oliver Twist and David Copperfield morphs into a thoughtful consideration of contributions from passionate people for the legacy of the film.
There is also an appealing childlike delight in the magical stories, told in some form books or movies.The movie expressed mainly through sweetly naturalistic performances by Butterfield (who looks like Hugo of the book with their big eyes and sharp chin) and Moretz, who plays a bookworm who has a penchant for big words wit h spunk and spark.
In depicting the children enjoy discovering stories, and Melies own revel-ling in the "new" medium of film, Scorsese seems to have found a new energy and fun in the mechanics of storytelling. Whether he choreographs an elaborate, pratfall-laden chase through a crowded train station, or orchestrating a small, touching moments of human connection between the two young stars, there is a bright note of wonder burnish stories here.
This story is not just for children But this tale is full of worldly misery and magical mysteries, is really for adults.
HUGO
